
Historical and Cultural Context -
Mobiles
Leaves, No
Litter
- Alexander Calder, referring to his abstract kinetic sculptures on display at the Julien Levy Gallery, New York, 1932. Excerpted from the New York World-Telegram, June 11, 1932 - http://www.sfmoma.org/espace/calder/calder_intro.html
Often constructed of colored metal pieces connected by wires or rods, the mobile has moving parts that are sensitive to a breeze or light touch; it can be designed to hang from the ceiling or stand free on the floor. Mobiles became popular in the 1950s for interior decoration. http://www.infoplease.com/ce6/ent/A0833511.html

Alexander Calder - Goldfish Bowl - 1929
Wire - Private Collection
Copyright ©2000 National Gallery of Art, Washington D.C.
http://www.nga.gov/exhibitions/calder/realsp/4f.htm
Alexander Calder - Steel Fish - 1934
Sheet metal, wire, rod, lead, and paint
115 x 137 x 120 in. Private Collection
© 1998 Estate of Alexander Calder/Artists Rights Society (ARS),
New York http://www.sfmoma.org/espace/calder/photo_lg_fish.html

Alexander Calder - Aluminum Leaves, Red Post -
1941
Sheet metal, wire, and paint
61 x 61 in.
Collection of Jean Lipman
© 1998 Estate of Alexander Calder/Artists Rights Society (ARS),
New York
http://www.sfmoma.org/espace/calder/photo_lg_aluminum.html
Top

Alexander Calder - S-Shaped Vine - 1946
Sheet metal, wire, and paint
98 1/2 x 69 in.
Collection of Rita and Toby Schreiber
© 1998 Estate of Alexander Calder/Artists Rights Society (ARS),
New York
http://www.sfmoma.org/espace/calder/photo_lg_vine.html

Alexander Calder - Poisson Volant (Flying Fish) - 1957 -
Sheet metal, wire, & paint - dimensions: 24" x 89"
http://members.tripod.com/~Raincloud771/favart/calder.htm
"I make and fly kites to play with color and line in the sky. My kites play games with the light, hide and seek with the clouds. They push and pull on the wind. They challenge the birds. My hand grows longer and longer until I feel I am somehow in contact with that immensity into and out of which all things come and go. The kite itself is a reference to the human: so fragile and yet so strong. It is also a reference to constant movement, sinuous movement, the movement of dreams and childhood. A child on the street rarely walks in a straight line. It plays while it goes, in and out, around and about. That is what birds in flight do. That is what my kites do. I wish to create "sky works" however ephemeral. Kites are an instrument for this. They put line and color into the sky and sculpt the air. They play game of freedom." - Jackie Matisse

Jackie Matisse - 3 Kite Tails
http://www.raykass.com/html/Matisse/html/mat_exhibit.html

Mobiles with hanging irregular shapes
Sketches from exhibit, Art That Soars - Kites and Tails by
Jackie Matisse at the
Mingei International Museum in San Diego, April 25 - November
26

Wire frame "box" with hanging pieces of nylon fabric attached to
fishing line
Sketch from exhibit, Art That Soars - Kites and Tails by
Jackie Matisse at the
Mingei International Museum in San Diego, April 25 - November
26

Wire frame "box" with hanging objects
Sketch from exhibit, Art That Soars - Kites and Tails by
Jackie Matisse at the
Mingei International Museum in San Diego, April 25 - November
26

Wire frame "box" with rocks and hanging objects
Sketch from exhibit, Art That Soars - Kites and Tails by
Jackie Matisse at the
Mingei International Museum in San Diego, April 25 - November
26

Andy Goldsworthy - Iris Leaves & Rowan
Berries
http://cgee.hamline.edu/see/goldsworthy/see_an_andy.html
What I am after, above all, is expression.

Henri Matisse - The Clown

Henri Matisse - Chinese Fish - 1951
Finally I have found the most direct way to express myself the paper cutout

Henri Matisse - Icarus (shows the
original French text) - 1943


Henri Matisse - The Knife Thrower
The truly original
artist invents his own signs.

Henri Matisse - The
Codomas
TEXT and ART not referenced with hyperlink:
Henri Matisse, working with shapes Scholastic Art, Dec 1996/Jan 1997
vol.27, no. 3, Published in cooperation with the National Gallery of
Art. Formerly ART & MAN
Construction paper, tag board, fabric (nylon, rayon, burlap, cotton), foil (aluminum, copper), cellophane, tissue paper
Wire
Fishing line, twine, string
Natural objects - feathers, leaves, sea shells, twigs, dried fish (yes, dried fish, the Japanese dry lots of fish and they look really surreal)
Litter - wrappers, bottle tops, note paper
Historical and
Cultural Context | Site
Map | On-Line
Resources | Rules
of Thumb | Glossary
| Quotes
| WordList
| Co-Teachers - Doug
and Melissa
| Gallery
| Top
E-Mail Doug at mrdoug@aznet.net
or Melissa at mjmckinstry@earthlink.net
|
|
Melissa and I would like to |